Meenakshi’s Madurai: Myths & Miracles

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    The ancient South Indian city of Madurai is often referred to as ‘Thoonganagaram’, or the ‘City That Never Sleeps’, thanks to its Princess, the warrior Goddess Meenakshi, who keeps a watchful eye over it. Go to this ancient temple town in Tamil Nadu and you will be amazed at how it still reverberates with wondrous legends. Perhaps the most beautiful is the legend surrounding its name, ‘Madurai’, a reference to the nectar that fell from Lord Shiva’s locks.

    In Madurai, history and legend are inextricably intertwined.

    Madurai was the capital of the Pandyan kings from the 4th BCE to the 16th century CE). The city was rich and there are references to active trade between Madurai and the Roman world. The last of the great ancient sangams (440 BCE – 200 CE) assembly of scholars that resulted in an outpouring of great Tamil literary classics – is said to have been held in Madurai.

    Madurai was described as ‘Pandaie’ by Greek historian and ambassador to India in ancient times, Megasthenes, and as ‘Pandi Mandala’ in The Periplus of the Erythean Sea (c. 59-62 CE) said to have been written by a Greek who lived in Egypt.

    Recent excavations at Keezhadi, 12 km from Madurai, have thrown light on the flourishing trade that Madurai had with Europe and Rome. Pepper, pearls, ivory, textiles and gold were exported, and luxury goods imported. In ancient times, Madurai was famous for its textiles, pearls and beryl.

    Thousands of Roman coins have been found in and around Madurai. Strabo (c. 64 BCE-24CE), a Greek geographer and philosopher who lived in Asia Minor, and Pliny the Elder (29-79 CE), a Roman philosopher and naval commander, have both described in detail the trade routes from Rome to Tamilakam, the region of Tamil-speaking people.

    Hippalus, a Roman sea captain, was the first to sail to India using the monsoon winds, in the 1st century BCE. In ‘Pandya Country’, both the royal treasury and merchants accumulated large sums of Roman currency. Pliny records, “India, China and Arabia between them absorbed one hundred million sesterces per annum from Rome, of which nearly half went to India, the preponderance to South India.”

    Legends Surrounding Madurai

    While archaeologists have to dig deeper to piece together the full story of Madurai’s ancient past, locals believe this city was built in accordance with Lord Shiva’s guidance. Interestingly, it is believed that Madurai was planned in the shape of a coiled serpent, Halasya. The snake marked the outer boundaries of the town and coiled itself such that its mouth and tail pointed to the centre of the town, where the Meenakshi temple was built.

    It is believed that Madurai was planned in the shape of a coiled serpent, Halasya.

    The story goes that Madurai was originally a Kadamba (Nauclea Cadamba) forest. In this forest, one full moon night, a merchant witnessed Lord Indra worshipping a Shiva linga. On hearing about this, the king cleared the forest and built a small shrine to Lord Shiva. This shrine, it is believed, grew into the present-day Meenakshi temple, where Meenakshi and Sundareshvara or Chokkanathar, as Shiva is known in Madurai, are enshrined. In Madurai, Shiva is said to have performed 64 miracles known as the Thiruvilaiyadal.

    A legend narrated in the, Tiruvilaiyatarpuranam, a 13th century Tamil text, narrates the story of Pandyan king Malayadhwaja of Madurai (a legendary figure), who was childless. The king performed a yajna, a ritual before a sacrificial fire, to ask for the boon of an heir, a son. Out of the fire appeared a three-year-old girl with three breasts. The child was raised by the king and his wife Kanchamalai, and taught all the arts including warfare. It was prophesied that the girl’s third breast would disappear when she met the man destined to be her husband. The king and queen named the little girl ‘Tadaatagai’, but since her eyes were shaped like fish, the people of Madurai fondly called her ‘Meenakshi’. The flag of the Pandyan kings featured two fish as also their coins.

    Meenakshi grew up to be a great warrior. She went out with her armies on a digvijay, a conquest of lands in all the eight directions. When she reached the Himalayas, Shiva’s abode, she encountered Shiva’s Ganas or hoards, and Shiva seated on Nandi bull. As soon as she saw him, her third breast disappeared as prophesied, and she accepted Shiva as the one she would marry. On returning to Madurai, her father crowned her as the ruler of Madurai and celebrated her wedding with great pomp and splendour.

    The wedding of Meenakshi and Sundareshvara (Shiva) is enacted to this day in Madurai in the month of Chaitra (April-May). Bronze images of Meenakshi and Sundareshvara are adorned with jewels and brought out in procession. The conquest of Meenakshi is enacted as also the wedding – crowds from all over the world gather to witness the celestial wedding, which is telecast live on television for those living far away. It is believed that Meenakshi and her consort are the true rulers of Madurai and the kings, Pandyan, Nayakas, and so on, ruled on their behalf.

    In 1801, Madurai came under the control of the British East India Company. The British made donations to the Meenakshi temple and participated in the temple festivals. One of the British administrators of Madurai and the temple was Rous Peter, who became the Collector in 1812. He was well known for his fair administration of the temple and the Tanjore Division Gazetter (1914) records that “vernacular ballads” are being sung in honour of Rous Peter.

    According to a legend, one rainy night, a little girl visited Rous Peter in his room and held him by his hand and led him outside. Suddenly, lightning struck his bungalow, reducing it to ashes. As a gesture of thanksgiving, Rous Peter donated a pair of gold stirrups studded with rubies to the goddess, who he believed had come in the guise of a little girl and saved his life. Rous Peter did not return to England after retirement and, according to his wishes, was buried in Madurai with his face turned towards the Meenakshi temple. The stirrups presented by him are still worn by the goddess when she rides a horse in procession during temple festivities.

    A British Collector of Madurai, Peter Rous donated a pair of gold stirrups studded with rubies to the goddess, who he believed had saved his life

    At Madurai, Shiva as Sundareshvara (Nataraja), danced his Ananda Natanam, the dance of bliss, witnessed by Patanjali and Vyagrapada during his wedding festivities. When dancing the Tandava, Shiva is usually depicted in sculpture, bronze and paintings with his left foot raised and his right foot placed on apsamara purusha, a demon signifying in philosophical terms the erasing of ignorance. At Madurai, Shiva danced with his right foot raised to fulfil the request of Rajashekara Pandyan, who felt that the right foot may hurt if it is permanently grounded during the dance.

    Beautiful, fluid bronze images and classical songs capture the movement and romance of the moment: “I fell in love with you Oh Lord! When you danced with your right leg raised at the request of the Pandyan king.”

    The city of Madurai is steeped in legends of 64 miracles executed by Shiva known as the Tiruvilaiyaadal, These are painted as murals on the temple walls.

    One of these legends speaks of the temple at Madurai as a dance hall of Shiva, as Velli Sabha or Rajata Sabha, the silver hall. It is believed that the cosmic dance was performed by Shiva in panch sabhas, or five dance halls: Chidambaram, Madurai, Tiruvalangadu, Tirunevelli, and Coutallam.

    In Tamil tradition, palaces were built in the form of temples for the gods, and the kings ruled on behalf of the gods. The Meenakshi temple in Madurai has been built on this premise and has elaborately decorated towering gopuras, many pillared halls, a lotus tank and a museum. There are two shrines – one to Meenakshi and the other to Sundareshvara. Murals on the walls and ceiling of the shrine depict the wedding as well as many miracles that took place in Madurai. The temple complex, spread across 14 acres, has 14 gopurams, towers that range from 45-51 metres in height. These are the most elaborate in South India.

    The temple as it stands today was rebuilt by the Nayakas in the 16th and 17th centuries. They closely followed rules of temple building as laid down in the Shilpa Shastras, treatises on architecture.

    The prosperous capital of Madurai attracted merchants and craftsmen from all over the subcontinent for its trade links. It was during the Nayaka rule, during the reign of Tirumalai Nayaka (1623-1659 CE), that weavers from Saurashtra migrated to Madurai. They were welcomed by the king as they were expert weavers and dyers – they were locally known as the ‘patnulkararsi’, or ‘silk thread people’. These weavers created a cotton textile prized even today and known as ‘Madurai Sungdi’. The term ‘sungdi’ to the Saurashtrians meant ‘round’ and refers to the circular dots that comprise the motif of the sungdi textile.

    The ancient city of Madurai has flowered into a modern city with IT parks, special economic zones, rubber industries and more. Yet it straddles two worlds – a modern realm with ancient, living traditions. In the month of April-May, people pour in from all over the world to witness the ‘wedding pageantry’ of the great goddesses Meenakshi. In many homes, one can hear young voices in synchrony with old, singing Carnatic songs that capture the magic of Meenakshi and her indelible and deep connection to the city she watches over.

    The Legend of Maanikkavaachakar

    A well-known story from the 64 miracles of Shiva in Madurai, handed down across generations and narrated as a bedtime story for children even today, is of a minister sent by Pandyan King Varagunavarman II (c. 826-885CE) to procure horses from the east coast. On his journey, he was drawn to a teacher seated beneath a tree – he grew so absorbed by the teacher and his teachings that the minister forgot his mission.

    The guru, who was Lord Shiva himself, addressed the minster as ‘Maanikkavaachakar’, ‘one whose words are like rubies’. The minister became an ardent devotee of the teacher, Shiva. Maanikkavaachakar (c.9th century), became a poet and wrote volume eight of Tirumurai, a book of Shaivite hymns. He spent all the money the king had given him on renovating a Shiva temple in Tirupperunturai in Pudukkottai district.

    An anxious king grew tired of waiting for his minister and sent out emissaries in search of him. On hearing of the turn of events, the king grew furious. So Shiva is said to have sent the king a priceless ruby with a message that the horses would arrive in Madurai in the month of Avani.

    As promised, it was Maanikkavaachakar who brought the herd of splendid horses to the king, who welcomed him with pomp. However, at night, the horses turned into jackals and the furious king ordered that Maanikkavaachakar be tortured.

    When the soldiers and Maanikkavaachakar were standing on the hot sands of the river bank, suddenly, the Vaigai river swelled and began flooding the banks. The swirling waters began to enter the city and the worried king asked all his citizens to carry mud and build an embankment.

    Among the people was an old lady who was being forced by the soldiers to carry mud. However, she was too feeble and, instead, offered handfuls of puttu, a nutritious sweet made of flour and jaggery, to anyone who would help her. No one was willing. Suddenly, a young lad came forward and said he would do her duty. He ate the puttu with relish and instead of carrying the mud, he sat down and whiled away his time.

    The king spied him and struck him on his back with a cane. The lash was felt by everyone – the king, queen, couriers and citizens. The ruler realized that the young lad was none other than Shiva and asked for forgiveness. The flood abated and the lad disappeared. The king became a great devotee of Shiva and governed his kingdom as a just ruler.


    Sudha Seshadri, an editor and writer is passionate about India, it’s art and culture. She studies India’s multi faceted culture and traditions.

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