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Antique Collection India, a country with rich history and traditions, which is evident not only in its buildings and books, but also in its architecture, culture, lifestyle, food and what not! But did you know that you can own a piece of its rich history?Yes! It is possible! Thanks to Peepul Tree’s Antique Collection that would not only be making you discover the treasures of India’s rich heritage, but also would make you experience the splendour of India’s rich antiquity. Handcrafted by the finest Indian artisans, our Antique Collection is the reminiscent of the rich past which has been kept alive by them. Right from the Dhokra Metal Handmade Owl to Indian National Flag, our Antique Collection bears witness to the historical phases India has underwent. Our Antique Collection makes you unearth the past in the pursuit of embracing beauty. So what are you waiting for? Explore Peepul Tree’s Antique Collection today! Historical Collections Now Discover the Treasures of India’s with the Historical Collections of Peepul Tree. Our Historical Collections enable you to unveil the majesty of Indian Antiques. Handcrafted, eco-friendly and sustainable, our Historical Collections make the patron step into the Timeless World of Indian Antiques. Varying not only in their source materials and the products, our Historical Collections offer you a wide range of historical phases, that India underwent. Visit Peepul Tree to get the finest of its Historical Collections. Antique Pieces Those were the rare days, when owning Antique Pieces were mostly far from reality. But did you know that you can now actually own Antique Pieces in just one Click? At Peepul Tree, you can now own Antique Pieces ranging from different regions of India, source materials, that belong to different historical eras too! 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What are the care instructions taken for Peepul Tree’s Antique collection?For metallic objects under Peepul Tree’s Antique collection , for maintaining the sheen, clean regularly with a soft dry cloth. Keep away from moisture and abrasive cleaning agents. These handcrafted products that may have sharp edges. For silver objects, rub with coconut oil if heavily tarnished. 2. Why Should I purchase Antique products from Peepul Tree?At Peepul Tree, one discovers the allure of owning antique products - a captivating journey through time and history awaits you. When considering the purchase of these cherished relics on our website, one is immediately drawn to the following compelling reasons:Timeless Beauty: Pur antique products boast an unparalleled beauty that transcends the ever-changing trends of modern times. Crafted with meticulous attention to detail, these pieces exude a sense of elegance, sophistication, and charm, making them stand out as unique additions to any space.Rich Heritage: Each antique product carries a fascinating story, a window into the past that connects us to the generations that came before us. Owning such items allows us to become custodians of history, preserving and cherishing the cultural heritage that shaped our world.Unmatched Craftsmanship: In an age when mass production reigns supreme, antique products represent a tribute to the skilled craftsmanship of yesteryears. These items were meticulously handcrafted by skilled artisans who poured their hearts and souls into creating enduring masterpieces.Investment Value: Beyond their aesthetic appeal, Peepul Tree’s antique products are true valuable investments. As time passes, rare and sought-after pieces often appreciate in value, making them not only a source of joy but also a smart financial decision.Eco-Friendly Choice: Choosing antique products is an eco-conscious decision. By purchasing items that have stood the test of time, we reduce the demand for new manufacturing, thus minimizing the environmental impact of consumerism.Unique Character: Unlike mass-produced contemporary items, antique products possess a distinct character and soul. The slight imperfections and patina they acquire over time add to their allure, making each piece truly one-of-a-kind.Emotional Connection: Owning an antique product can evoke nostalgic feelings and create a sense of wonder. These items often carry sentimental value, having been passed down through generations or acquired during significant moments in history. Conversation Starters: Antique products are excellent conversation starters. Their history and provenance can spark engaging discussions, encouraging the sharing of stories and knowledge among friends and family.Curating a Personal Collection: Collecting antique products can become a fulfilling and passionate hobby. As you acquire pieces from Peepul Tree that resonate with you, you begin to curate a personal collection that reflects your taste, values, and interests.Support for Heritage Preservation: By purchasing antiques from Peepul Tree, you contribute to the preservation and conservation of historical artifacts. Supporting antique dealers, collectors, and museums helps ensure that these treasures remain accessible for future generations to appreciate.In conclusion, purchasing antique products from Peepul Tree is not merely a transaction; it is an enriching experience that connects us to our past, enriches our present, and leaves a lasting legacy for the future. Embrace the allure of antiquity and embark on a captivating journey through time with these treasured pieces.

<h1>Antique Collection</h1>
India, a country with rich history and traditions, which is evident not only in its buildings and books, but also in its architecture, culture, lifestyle, food and what not! But did you know that you can own a piece of its rich history? Yes! It is possible! Thanks to Peepul Tree’s Antique Collection that would not only be making you discover the treasures of India’s rich heritage, but also would make you experience the splendour of India’s rich antiquity. Handcrafted by the finest Indian artisans, our Antique Collection is the reminiscent of the rich past which has been kept alive by them. Right from the Dhokra Metal Handmade Owl to Indian National Flag, our Antique Collection bears witness to the historical phases India has underwent. Our Antique Collection makes you unearth the past in the pursuit of embracing beauty. So what are you waiting for? Explore Peepul Tree’s Antique Collection today! 
<h2>Historical Collections</h2>
Now Discover the Treasures of India’s with the Historical Collections of Peepul Tree. Our Historical Collections enable you to unveil the majesty of Indian Antiques. Handcrafted, eco-friendly and sustainable, our Historical Collections make the patron step into the Timeless World of Indian Antiques. Varying not only in their source materials and the products, our Historical Collections offer you a wide range of historical phases, that India underwent. Visit Peepul Tree to get the finest of its Historical Collections. 
<h2>Antique Pieces</h2>
Those were the rare days, when owning Antique Pieces were mostly far from reality. But did you know that you can now actually own Antique Pieces in just one Click? At Peepul Tree, you can now own Antique Pieces ranging from different regions of India, source materials, that belong to different historical eras too! Be it the Periplus Of The Erythraean Sea Map from the Ancient Era to the Preamble of the Indian Constituion of the Modern Era, Peepul Tree offers you the finest of the exquisite Antique Pieces that would make you own a piece of India’s rich history! 
<h2>Antique Collection Online</h2>
Now give a new dimension to your shopping of Antique pieces. Visit Peepul Tree and explore its Antique Collection Online. With our Antique Collection Online, you can journey through centuries, through which you not only embrace elegance of Indian Antiques, but also elevate your home decor too. The products offered by Peepul Tree’s Antique Collection Online enable you to discover the soul of India, making you embark on an antique adventure, also preserving History, and celebrating Culture. So what are you waiting for? Explore the best of Antique Collection Online only at Peepul Tree! F.A.Q.’s 1. What are the care instructions taken for Peepul Tree’s Antique collection? For metallic objects under Peepul Tree’s Antique collection , for maintaining the sheen, clean regularly with a soft dry cloth. Keep away from moisture and abrasive cleaning agents. These handcrafted products that may have sharp edges. For silver objects, rub with coconut oil if heavily tarnished. 2. Why Should I purchase Antique products from Peepul Tree? At Peepul Tree, one discovers the allure of owning antique products - a captivating journey through time and history awaits you. When considering the purchase of these cherished relics on our website, one is immediately drawn to the following compelling reasons: Timeless Beauty: Pur antique products boast an unparalleled beauty that transcends the ever-changing trends of modern times. Crafted with meticulous attention to detail, these pieces exude a sense of elegance, sophistication, and charm, making them stand out as unique additions to any space. Rich Heritage: Each antique product carries a fascinating story, a window into the past that connects us to the generations that came before us. Owning such items allows us to become custodians of history, preserving and cherishing the cultural heritage that shaped our world. Unmatched Craftsmanship: In an age when mass production reigns supreme, antique products represent a tribute to the skilled craftsmanship of yesteryears. These items were meticulously handcrafted by skilled artisans who poured their hearts and souls into creating enduring masterpieces. Investment Value: Beyond their aesthetic appeal, Peepul Tree’s antique products are true valuable investments. As time passes, rare and sought-after pieces often appreciate in value, making them not only a source of joy but also a smart financial decision. Eco-Friendly Choice: Choosing antique products is an eco-conscious decision. By purchasing items that have stood the test of time, we reduce the demand for new manufacturing, thus minimizing the environmental impact of consumerism. Unique Character: Unlike mass-produced contemporary items, antique products possess a distinct character and soul. The slight imperfections and patina they acquire over time add to their allure, making each piece truly one-of-a-kind. Emotional Connection: Owning an antique product can evoke nostalgic feelings and create a sense of wonder. These items often carry sentimental value, having been passed down through generations or acquired during significant moments in history. Conversation Starters: Antique products are excellent conversation starters. Their history and provenance can spark engaging discussions, encouraging the sharing of stories and knowledge among friends and family. Curating a Personal Collection: Collecting antique products can become a fulfilling and passionate hobby. As you acquire pieces from Peepul Tree that resonate with you, you begin to curate a personal collection that reflects your taste, values, and interests. Support for Heritage Preservation: By purchasing antiques from Peepul Tree, you contribute to the preservation and conservation of historical artifacts. Supporting antique dealers, collectors, and museums helps ensure that these treasures remain accessible for future generations to appreciate. In conclusion, purchasing antique products from Peepul Tree is not merely a transaction; it is an enriching experience that connects us to our past, enriches our present, and leaves a lasting legacy for the future. Embrace the allure of antiquity and embark on a captivating journey through time with these treasured pieces.

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of the dark lord and his game with the girls.

-Excerpted from Nachiyar Thirumoli by Andal (translation by Archana Venkatesan)

The 7th to 9th century CE represents a turbulent period in the religious history of Tamil Nadu, with a great wave of religious fervour sweeping through the Tamil landscape. Unconditional devotion (

 came to be recognised as an important way to serve the gods, and among the foremost proponents of the

 were the 12 Vaishnavite Alwars. In Puduvai, the ‘city of towering mansions’, the Vaishnavite Bhakti movement reached great heights: Periyalwar and Andal, two of the 12 Alwars, lived in this city of ‘renown and fame’. Known today as Srivilliputhur, a temple town 80 km south-west of Madurai, Puduvai and its legendary Andal hold a special place in the religious history of India.

Legend and fact blend to tell us the story of Andal. According to the hagiography provided in the 14th-century Manipravalam work 

 by Pinpalakiya Perumal Jeeyar, legend has it that Vishnucittan (Periyalwar), a priest at the Vatapatrasayi Vishnu temple at Srivilliputhur, longed for a child and prayed to Vishnu to give him one. One day, when visiting the temple garden to collect flowers for the Vishnu idol’s daily garland, he saw a baby girl lying under a Tulsi plant. Realising that this was Lord Vishnu’s way of fulfilling his prayer, Vishnucittan adopted the baby and named her Kothai.

Kothai grew into a great devotee of Lord Vishnu and wished to be married to him. Every day, she would wear the garland prepared by Vishnucittan for the Vishnu idol and imagine herself as Vishnu’s bride before returning the garland to its place. Vishnucittan, unaware of the garland’s ‘desecration’ at Kothai’s hands, would place the garland on the idol of Vishnu. One day, however, Kothai was caught in the act by Vishnucittan. Deeply disturbed at the violation of the 

 rules, Vishnucittan did not garland the idol of Vishnu.

That night, Vishnu appeared in a dream to Vishnucittan and asked him why he had not given him the garland worn by Kothai that day. This made Vishnucittan recognise the divinity in her and prompted him to name Kothai ‘Soodi-Kodutta-Nachiyar’ or the ‘Lady who gave what she had worn’. After this incident, Kothai, now fully intent on marrying no one but Vishnu, immersed herself in devotion to the god and penned two great literary works in Tamil: the 

Kothai made Vishnucittan describe the various forms of Vishnu on earth, and upon hearing of Vishnu’s form and deeds as Lord Ranganatha in Srirangam, she decided that she would marry only him.

Once again, Vishnu appeared in a dream to Vishnucittan and conveyed to him his willingness to accept Kothai as his wife. A royal wedding procession was arranged by Vishnu himself to bring Kothai from Srivilliputhur to Srirangam, and upon entering the 

 of Lord Ranganatha, Kothai is said to have vanished and become one with the Lord! Vishnu then proceeded to address Vishnucittan as his father-in-law and requested him to continue serving him in Srivilliputhur. Kothai, meanwhile, became known as ‘Andal’ – ‘She who Rules the Lord’.

The starting point for a historical analysis of Andal, in fact, the Alwars as such, have been their literary contributions and the commentaries that have been written around them. Andal’s 

 set against the backdrop of the Gopis of Ayarpadi (Vrindavan) undertaking the Pavai vow. The 

 describes the Pavai vow as a ritual involving pre-dawn communal bathing by unmarried women in the month Margali (December-January).

 brings wealth and removes evil; the vow also helps the women attain liberation.

 describe the group of Gopis urging their sleeping friends to wake up and take part in the vow. 

 16 to 23 describe the Gopis gently waking up Krishna’s household, and the final seven 

 describe Krishna blessing the Gopis with the mystical “

”, which they reject in favour of serving Krishna forever.

has been a rich source of information for historians. Art historian Vidya Dehejia, for example, uses a reference to a rare Vaishnavite Pandyan king by Periyalwar (Pandyan kings were usually Shaivites), in combination with astronomical descriptions present in 

to posit a mid-9th century CE date for Periyalwar and Andal. Of particular interest to historians is also the Pavai vow described in 

. Historians believe that this vow has been modelled on a bathing ritual known as 

, which has been extensively described in Tamil Sangam literature, in the poem 

 literally means ‘bathing in the month of Thai (January – February), and the adaption of the Thai Neeradal into the preceding month of Margali by Andal has raised important questions for historians. Some scholars, like Archana Venkatesan (Associate Professor of Comparative Literature and Religious Studies, Univ. of California Davis), posit that the appropriation of Thai Neeradal into the month of Margali could simply reflect the emergence of Vaishnavism: Margali is a holy month for Vaishnavites, and Andal could have appropriated the Sangam-era Thai Neeradal, wherein unmarried women pray for a handsome husband/lover, into a religious vow where unmarried Gopis pray to obtain Krishna. Other scholars like Norman Cutler (the late Chairman of South Asian Languages and Civilisations Department, Univ. of Chicago), however, believe that a shift of the vow from the month of Thai to the preceding month of Maragali could be due to the transition from a lunar calendar to a solar calendar!

 albeit with a major difference: from a third-person rendering of the mythical 

, Andal moves to an intensely personal, first-person, rendering of her love for Vishnu. It is in the 

 that we get to see a silhouette of the poet: we learn that the poet’s name is Kothai, that she is the daughter of Vishnucittan, and that she writes from Puduvai.

The intense, personal Bhakti of Andal is on display in the 

Addressing Manmatha, the God of Love, she says:

If there is even talk of offering my body to mortal men

It’s equal in violence to a forest jackal

stealthily entering to sniff sacrificial food

learned Brahmins, the holders of the Vedas,

Over centuries, the legends surrounding Kothai and the Alwars grew steadily, and from being devotees, they were elevated to divine status as different 

Kothai started being worshipped as a manifestation of Bhu Devi (Goddess Earth), a secondary consort of Vishnu (after Lakshmi). Archana Venkatesan points to this apotheosis of Kothai in the 

 (laudatory verses written by later poets praising the Alwar and their composition) appended to the 

, attributed to Uyyakontar (10th century CE, composed in Tamil) and Parasara Bhattar (12th century, composed in Sanskrit) refer to just the legend surrounding Andal, the 

, written by Tirukannamangai Andan (12th – 13th century, composed in Tamil) refers to Andal as a manifestation of Bhu Devi

The spreading popularity and worship of Kothai over centuries can also be gauged by the fact that 16th century 

(literally, ‘One who wears and gives away garlands’), a work dedicated to the legend of Andal and widely regarded as a classic of Telugu literature.

Ritual practices carry forward the legend of Andal to this day. Daily recitation of the 

 occupies a central place in Vaishnavite temple services, and during the month of Margali, recital of the 

 is commonplace in Vaishnavite households. In fact, the sixth section of the 

 (Song of the Wedding Dream), is recited during Vaishnavite Brahmin weddings and the bride in these weddings is dressed like Andal.

Further, the temples central to the legend of Andal continue to be ritually linked. For the Chittirai festival, garlands from the Srivilliputhur temple are sent to the Ranganathaswamy Temple in Srirangam and the Kalazhagar temple in Madurai. In fact, the same is also done for the Brahmotsavam and Garudaseva of Lord Venkateswara in Tirupati!

 have also earned great appreciation for their literary value. Multiple artists have taken inspiration from these works: from movie names to song lyrics, lines from the 

 have been used repeatedly for their aesthetic value. In the 20th century, the Carnatic virtuoso Ariyakudi Ramanuja Iyengar set the 

, leading to their large-scale popularity and adoption in Carnatic music circles. Recently, the Carnatic fusion band Agam released its version of one of the 

Some celebrate Kothai as a feminist icon, others worship her as a god. Yet others are content in enjoying her literary contributions. It wouldn’t be amiss to say that Andal has something for everyone; she lives on, woven as she is into the cultural fabric of South India.

ABOUT THE AUTHOR



Venkataraman Ganesh is a consultant at Samagra | Transforming Governance. Passionate about history, politics and development, Venkataraman holds an Integrated MA in Development Studies from IIT Madras.

From feminist icon to a manifestation of the Earth Goddess, the great Vishnu devotee Andal is widely worshipped in South India. Catch the story of this 9th century CE Tamil poet-saint and the great literary works credited to her


The Legend of Andal

Kothai
of that priest,
chief of Puduvai,
city of towering mansions embellished with gold
strung a garland of a sweet song,
of the dark lord and his game with the girls.       

-Excerpted from Nachiyar Thirumoli by Andal (translation by Archana Venkatesan)

The 7th to 9th century CE represents a turbulent period in the religious history of Tamil Nadu, with a great wave of religious fervour sweeping through the Tamil landscape. Unconditional devotion (bhakti) came to be recognised as an important way to serve the gods, and among the foremost proponents of the Bhakti movement were the 12 Vaishnavite Alwars. In Puduvai, the ‘city of towering mansions’, the Vaishnavite Bhakti movement reached great heights: Periyalwar and Andal, two of the 12 Alwars, lived in this city of ‘renown and fame’. Known today as Srivilliputhur, a temple town 80 km south-west of Madurai, Puduvai and its legendary Andal hold a special place in the religious history of India.

Legend and fact blend to tell us the story of Andal. According to the hagiography provided in the 14th-century Manipravalam work Guruparampara Prabhavam 6000 by Pinpalakiya Perumal Jeeyar, legend has it that Vishnucittan (Periyalwar), a priest at the Vatapatrasayi Vishnu temple at Srivilliputhur, longed for a child and prayed to Vishnu to give him one. One day, when visiting the temple garden to collect flowers for the Vishnu idol’s daily garland, he saw a baby girl lying under a Tulsi plant. Realising that this was Lord Vishnu’s way of fulfilling his prayer, Vishnucittan adopted the baby and named her Kothai. 